In a nutshell
This course delivers a spectrum of learning opportunities spanning across new developments from experimental performance to mainstream stage, TV and radio work. It combines the development of vocationally focused skills with academic study and practical exploration of a range of theatre and performance approaches and forms. You will gain the knowledge, skills and understanding that will help you become a versatile and resilient creative practitioner.
You will be able to choose from a range of options to pursue your individual interests including acting for camera, singing, comedy writing and performance, multimedia performance, physical theatre and clowning. You will also have the opportunity to take part in publicly performed projects, led by a professional director or member of staff. In your final year you will propose and develop your own practical performance work and can choose from a wide and challenging array of performance areas.
Practical projects could include a devised performance; an original script; a physical theatre piece, an installation or live art works performed in non-traditional theatre spaces, a multi-media performance investigating digital culture and the human computer-interface or a directing project.
- Create and perform inventive theatre and performance with highly-skilled practitioners and academics in a vibrant city with a fantastic theatre, arts and music scene
- Build your professional profile through work experience opportunities, led by Professional Practitioners and a programme of career- focused masterclasses in your final year
- Develop your creativity, acting and performance-making skills across disciplines on a course that allows you to choose from a diverse range of options in both live and mediated performance
This is for you if...
You are either a performer or a writer
You have an interest in performance for TV and theatre
You are fascinated by human behaviour, and what makes people entertained through performance
All about the course
You will study a core curriculum in year one that will provide you with the foundation knowledge and skills across the spectrum of theatre and performance. In year two you will study a combination of core and optional modules so that you can pursue your individual interests and talents and explore new areas. In year three you will combine taught optional modules with your own project work and practical research or a dissertation.
As the course progresses, you will be given the support and guidance to enable you to work independently, to manage your time and collaborate creatively with others. You will also attend several careers focused masterclasses and presentations that will give you practical advice in many employment areas that are common to theatre and performance graduates.
You will learn through a mix of lectures, seminars, workshops and practical performance projects. Assessment will be through a range of means, including essays, presentations, in-class performance presentations and publicly performed theatre projects.
Combines an exploration of key performance approaches with week by week acquisition of warm up methods and voice and movement techniques.
This module is designed to further develop and extend your performance skills. You will apply these skills to the devising and rehearsal of a group performance piece performed in our main theatre space.
Acting Methods 1
This is a primarily practical module which focuses on creative approaches central to characterisation within naturalistic drama. You will apply Stanislavski-based approaches to performing published texts. This module will introduce textual analysis, which will develop your ability to understand and interpret theatre texts and to think critically about your own theatre practice.
Acting Methods 2
This module will extend your learning of acting and characterisation into non-naturalistic forms. You will learn to appropriately apply expressive and presentation techniques to a range of theatre texts, beginning with the work of Artaud and Brecht and then exploring contemporary playwrights who bear their influence.
Performance in Context
Provides the historical framework to examine the development of performance from the late 19th century onward. Movements like Realism, Expressionism, Surrealism and Dada are examined in relation to other movements and across performance disciplines. Small group seminars will support the lectures.
Critical and Textual Studies
Examines key texts and critical approaches central to live performance and media disciplines from the perspective of particular analytical approaches, e.g. semiotics, ideological approaches and structuralism. The theories of key practitioners who influenced the development of particular disciplines will be examined in detail. Small group seminars appropriate to your pathway will support these lectures.
Non-assessed skills training
Study skills sessions will be offered to support your academic and critical writing skills.
In lectures, screenings and seminars the approaches to textual critical analysis introduced in the first year are further developed, as are your academic writing skills.
You will work as an ensemble under the direction of professional artists/theatre companies and work intensively on a performance project. The outcomes will be performed in various spaces, including a double bill with the work of that company at The Lowry theatre studio, a small scale tour or at the New Adelphi Theatre.
Optional modules are as follows:
In this module students develop their knowledge of the work of a range of contemporary theatre making practitioners. These are drawn from practices in post-modern devising, verbatim and documentary theatre, site-based performance and ‘relational’ performance. You will develop practical techniques and composition skills in the making of original theatre work, drawing from sources such as text, autobiography, performance scores, space and site, body, tasks and rules.
Text and Performance
The module focuses on theatre texts from 20th and 21st Century that cover both dramatic and ‘postdramatic’ approaches. You will further develop your skills in textual analysis in seminars and will explore acting, directing and dramaturgical approaches in practical workshops.
Professional Practice (Performance)
This takes the form of either a professional work placement or a student-led performance project which allows you to apply independent and collaborative creative techniques for devising or adapting work for performance. Those who pursue the work-placement option will be assigned a mentor and will work for a performance/arts event organisation in one of a variety of roles (which can include arts administration, stage-management, technical support, assistant director). Those who pursue the project option will receive tuition and supervision to facilitate a self directed performance.
Voice and Text
Through exercises and reflective analysis, you will develop vocal techniques and learn to apply interpretative skills to the performance of dramatic texts.
Radio Drama Performance and Production
This module enables you to work on a range of exercises designed to develop your characterisation, vocal expression and tonal variety in performing audio drama. You are introduced to studio equipment for recording and editing and contribute to studio management for the assignment. You are assessed on the performance and production of a recorded radio drama script.
Acting For the Camera
This module gives you experience of working with ex-broadcast drama scripts, which you will rehearse and record for camera under conditions mirroring industry practice.
During this module you are introduced to the theories and practices of western physical theatre. Practitioners and styles covered may include Vsevolod Meyerhold; Jacques Lecoq; Jaques Copeau; Odin Teatret; Rudolf Laban; Steven Berkoff; Pina Bausch; Lloyd Newson; and a range of contemporary physical theatre companies.
You will engage in exercise and games, working with and without red nose, to explore key clown concepts of: play, complicity, bafflement, major, minor and ‘the flop’. Practical tactics and strategies for generating laughter are explored through the development of physical skills such as falling, rolling, ‘acting drunk’, stage fighting, double-takes, and tricks with objects. The module concludes with a solo or group performance in a public space.
You will learn skills of analysing and writing plays for the stage. The module covers history of playwriting, an introduction to the playwriting industry and the development of skills in areas such as concept, story, structure, characterisation and dialogue. You will have the chance to work with professional playwrights in this course and write a play for your assessment.
Introduction to Multi-Media Performance
Approaches to using recorded and live feed video in live performance are studied, both theoretically and practically. You will also explore how new technologies such as mobile phones and social media can be used in live performance. You are introduced to practical techniques and the module is assessed through a devised, multi-media theatre production with evaluation.
Theatre and Communities
The module provides students with a practical knowledge and theoretical understanding of the uses, applications and value of drama and theatre as an aspect of social engagement and personal empowerment outside of the conventional theatre environment. The module explores the history of the 'form', and key practitioners and areas of contemporary practice. Practitioners/companies may include Cardboard Citizens, 7.84, TiPP, Geese Theatre UK, and Clean Break
The module centres on building confidence in singing and developing your vocal agility through a range of exercises and songs performed in solo and group situations. The module introduces basic musical notation, sight singing, and harmony work and you will also experiment practically with microphone techniques.
Introduction to Screenwriting
You will examine fundamental aspects of fictional storytelling: narrative structure, character development, character types, relation of character to plot, and the use of subplots. You will explore differing conceptual and technical approaches used in screenwriting for theatre, TV and film; you will workshop your screenplays in class and produce a finished script by the end of the module.
You will explore performing pieces to camera, engaging with the audience by `breaking through the lens'; interview technique, the importance of asking pertinent questions, listening and putting an interviewee at ease; voice-over work - the importance of performing with energy, clarity and correct intonation. You will produce a five - eight minute magazine item containing an intro, a walk and talk piece to camera, practical exercise or short demonstration, voice-over, researched interview and outro, targeted at a specific audience and presented in an appropriate style.
Comedy Writing and Performance
You will be encouraged to develop range and flexibility in your vocal, facial and physical skills in order to produce a range of comic personas. You will then perform, record and edit the resultant TV/radio sitcom or sketch show.
Shakespeare In Performance
You explore Shakespeare’s plays through performing them and through deconstructing performances of them. You also enjoy the opportunity here of working with students on other degree programmes.
In semester 1 you will complete a preparatory portfolio of independent written work and/or presentation of research with the support of a supervisor. This leads to a practical, creative outcome or an extended piece of academic writing in the linked semester 2 module – Dissertation or Practical Research Project.
Theatre Project (double module)
This project is designed to enable you to work collaboratively in a small group to generate, organise and manage your own performance work. The nature of the performance will be dependent on the individual skills and interests of the project group and the culminating production will be publicly performed over two nights. You will undertake research appropriate to your project and keep a Personal Learning Journal in order to facilitate reflection and submit a critical analysis which reflects upon the rehearsal and production process.
You will complete a major piece of independent written work which results from extensive research supervised by a dissertation supervisor. You will undertake your own research and while this will draw on other sources it is expected that the study will display a central thesis of your own construction.
Practical Research Project
You will develop your own topic or area of practice and method of investigation. It may represent a vocational or career-focused endeavour or act as a springboard for postgraduate study. Project outcomes could include: a devised performance; an original script – comic or dramatic - a physical theatre piece, a live art installation, multi-media performance or a directing project.
You will choose two of the following options:
New Trends in Theatre and Performance
The module explores the spectrum of new trends in performance. Practices may include Live Art, multimedia/digital performance; immersive theatre; headphone performance; pervasive gaming; one-to-one performance; You will examine the work of current practitioners and will focus on how relations of space and place and audience and performer are being reconfigured and redefined in the 21st century. You will then choose an area of practice to explore through the creation of a solo or collaborative performance piece.
Renaissance Theatre Acting
You work with a range of texts, including Elizabethan, Jacobean, and Restoration works. In practical workshops you are encouraged to experiment with rhythm and language, and to apply characterisation and physicalisation techniques within the context of both naturalistic and non-naturalistic performance styles.
Gender, Sexuality and Performance
The module examines the importance of gender in the development of contemporary drama and performance. Gender as a social construction is investigated through a series of key movements that reflects a cultural shift in attitudes to heterosexuality and increased awareness of alternative gendered choices in Western culture.
You will work on a range of exercises and texts, which are aimed at both extending your range of characterisation for radio and developing detail and complexity in vocal performance delivery. Technical workshops examine studio operation including recording levels, mixing, spot and pre-recorded effects, and you work in teams to record and produce radio drama pieces.
You will analyse, research, rehearse and perform a number of television drama scripts – and work in depth on a specific character from one of them. Rehearsals of the extracts are videotaped and critically reviewed in seminar sessions. Particular attention is paid to the layering of subtext, psychological details and technical skills.
Scriptwriting for TV and Film
Through a professionally geared script development programme, you will create first a premise, then treatment, step outline and first draft for a complete screenplay of at least fifty minutes. In seminars you will discuss ideas for story, character and theme within the group. Treatments, step outlines and the first draft are developed in one-to-one tutorials.
A series of workshop/seminar classes will initially explore the role of the director, employing a range of contemporary and historical scripts. Thereafter, the students will, under close tutor guidance, consider and apply appropriate theatrical vocabularies in order to develop their own directorial approaches. All students will be given the opportunity to lead small group work in terms of exploring and experimenting with a range of directorial approaches to both script and to performers.
Stand up Comedy
Through class interaction, individual research and tutor supervision, you are encouraged to develop your own comic voice and persona and to devise and write original ideas toward solo live performance. A visiting professional comedian will be invited in to give feedback on the work before it is performed and/or recorded.
You will explore the key elements that characterise comedy performance and the specific cultural and political contexts that influence scripting and “persona”. Intensive practical workshops, to develop comedy characters (personas) and short routines culminate in recorded in-house performances. Each workshop contains elements of scripting work and improvisation, including performance skills to develop vocal diction, range, expression and tone.
Please note that it may not be possible to deliver the full list of options every year as this will depend on factors such as how many students choose a particular option. Exact modules may also vary in order to keep content current. When accepting your offer of a place to study on this programme, you should be aware that not all optional modules will be running each year. Your tutor will be able to advise you as to the available options on or before the start of the programme. Whilst the University tries to ensure that you are able to undertake your preferred options, it cannot guarantee this.
What will I be doing?
You will learn through various teaching methods. Practical classes will furnish you with a range of approaches and techniques for performance creation and will help you develop your performance skills and, where appropriate, production skills. Lectures and seminars will apply critical theory to live and mediated performance forms and methodologies. You will undertake project-based work including major performance projects and you will attend workshops with visiting professional practitioners.
You will be assessed through a variety of methods, including:
School of Arts and Media
The School of Arts and Media is the largest School at the University of Salford with more than 4,000 creative students. Across sites at MediaCityUK and the University's Peel Park campus, we offer a huge variety of courses, from fashion image making and styling, television and radio, creative writing and music to journalism, animation, design and performance.
This broad range of disciplines offers enhanced opportunities for specialist and interdisciplinary study, including collaborative work across subject areas.
At our £55 million New Adelphi building, you will have access to a 350-seat theatre, as well as other live performance spaces.
You will also have access to broadcast-standard TV acting and presenting studios, a radio drama studio, post production video and audio facilities, and state of the art location cameras (including 4K).
What about after uni?
On completion you may go on to perform, direct, write, research or produce. You may also go on to be a teacher or workshop leader, or go on to postgraduate education.
Many of our graduates have progressed to employment in an impressive range of arts, entertainment and media organisations. These include the BBC; ITV; The National Theatre; The Lowry, Salford; The Green Room Theatre, Manchester; Hull Truck Theatre Company; The Royal Exchange Theatre; and several Theatre in Education (TIE) companies. Salford has a reputation for providing the industry with highly skilled and dynamic graduates, whose names can regularly be seen on television and theatre credits, both as performers and 'behind the scenes' creatives. Many graduates also go into careers in teaching or as community dancers or workshop leaders or on to further postgraduate education.
Recent graduates have worked in production roles at Granada and the BBC in such projects as Island at War, Hustle, The Jeremy Kyle Show, Coronation Street and others. Other graduates have appeared successfully in front of the camera: Emma Atkins (Emmerdale), Dean Fagan (Coronation Street), Chris Bisson (East is East) and Kaye Wragg (No Angels). Other successful Salford graduates include Christopher Eccleston (Doctor Who), Maxine Peake (Shameless), Peter Kay and many more. Stage and TV success has come to comedian Jason Manford while Ellie Meigan Rose, Emma Hartley-Miller and Rachel Brogan have enjoyed success on stage at the Lowry, Royal Exchange and Royal Court. Recent graduates have won prestigious NSDF (National Student Drama Festival) awards.
In addition to developing your performance skills and techniques and giving you opportunities and contacts for professional development and employment, this degree will also give you many transferable skills which are highly sought by employers. These include collaboration and team-working; communication and negotiation skills, time management and organisation; and presentation skills. These will equip you to work in many different professional fields, as well as in the arts.
You will be taught by practitioners who have worked with the UK's leading companies including contemporary performance companies Blast Theory, Imitating the Dog, Plane Performance, Reckless Sleepers; with BBC TV and Radio Drama, ITV, Channel 4 and with traditional and experimental theatre companies of many kinds.
What you need to know
Applicants will need to pass an audition.
A strong personal statement articulates a candidate’s interest and experience in the area of acting/drama/performance. It shows she or he can articulate his or her previous academic and/or performance practice experience. It also allows the candidate to demonstrate an appropriate level of independence and maturity necessary to engage with learning in a higher education environment.
In a strong audition, candidates will exhibit an ability to adapt and respond to stimulus and potentially new or unfamiliar approaches in relation to acting/drama/performance. The candidate will show an ability to use voice and physicality effectively. A strong audition also highlights a candidate’s ability to work sensitively and cooperatively with others and to sustain energy, concentration and focus throughout all stages of the audition process.
ENGLISH LANGUAGE REQUIREMENTS
Applicants will be required to show a proficiency in English. An IELTS score of 6.0, with no element below 5.5, is proof of this.
Please note: The entry criteria below are related to entry onto this course in the 2020/2021 academic year. If you’re interested in a future intake year, please check the course entry on UCAS.
English Language at grade C/level 4 or above (or equivalent). Maths at grade C/4 or above (or equivalent) is preferred but not essential.
You must fulfil our GCSE entry requirements as well as one of the requirements listed below.
112 points including Performing Arts or similar subject
UCAS tariff points
112 points including Performing Arts or similar subject
BTEC National Diploma
DMM including Performing Arts or similar subject
BTEC Higher National Diploma
If you have a relevant HND you can join the course at year 2
Access to HE
Pass level 3 QAA approved Access Diploma, to include Media/Performance
112 points including Performing Arts or similar subject
Irish Leaving Certificate
112 points including Performing Arts or similar subject
31 points, to include 5 or 6 (Higher Level) in a relevant subject
Pass Diploma with 72% overall
Salford Alternative Entry Scheme (SAES)
We welcome applications from students who may not meet the stated entry criteria but who can demonstrate their ability to pursue the course successfully. Once we have received your application we will assess it and recommend it for SAES if you are an eligible candidate.
There are two different routes through the Salford Alternative Entry Scheme and applicants will be directed to the one appropriate for their course. Assessment will either be through a review of prior learning or through a formal test.
|Type of study||Year||Fees|
|Full-time home/EU||2020/21||£9,250per year|
|Full-time international||2020/21||£15,240per year|
You should also consider further costs which may include books, stationery, printing, binding and general subsistence on trips and visits.
Scholarships for international students 2020/21
If you are a high-achieving international student, you may be eligible for one of our international scholarships worth up to £5,000. Our international scholarships include the Salford International Excellence Scholarship.
For more information go to International Scholarships.
All set? Let's apply
Course ID W440